A jamboree jam-packed with a huge range of amazing live acts, the closing weekend of this year’s Summer in Southside finished off the festival in spectacular style, with singing, dancing, clowning, acrobatics and a truly explosive finale!
The events kicked off on Saturday with Ida Barr’s Mash-Up, a hilariously bizarre blend of music hall, R&B and pantomime drag led by acclaimed theatre creative Christopher Green, while Inspector Sands‘ audio tour High Street Odyssey roamed Hurst Street and Arcadian, delving into the past, present and future of Southside with some surprising consequences.
At 1.30, Wired Aerial Theatre presented a series of spectacular feats in Straw Dog, with two performers portraying internal conflict through a breathtaking physical struggle, inspired by a Native American saying. At the same time, Candoco Dance Company explored the themes of frustration and disappointment through two duets – Studies for C and Two for C – telling the story of a slowly stagnating relationship. Meanwhile, in Push, Tangled Feet offered a playful and touching take on the trials and tribulations of motherhood, perfectly capturing both the sheer joy and utter anguish of bearing and raising children.
Showcasing circus skills and traditional clowning, Le Navet Bête‘s Extravaganza was a fun, family-friendly farce taking over Arcadian in between appearances by Ida Barr. In sharp contrast, the Helen Chadwick Song Theatre‘s poignant White Suit used music to tell the story of an aspiring footballer who becomes a landmine victim, highlighting people’s willingness to ignore the suffering of others rather than risk the consequences that helping out might have on their own lives.
Throughout the day, popular arias were presented in a series of pop-up shows by Oyster Opera, while Icarus‘s beefy Rugby Player Duo wandered through the crowds on stilts, chatting to visitors, actors and volunteers alike.
And of course, beneath the Arcadian Umbrella, the Hippodrome Plus Youth Ambassadors were on hand to chat about the shows at the Talkaoke table, hosting a series of interesting discussions with creatives and performers from Wired Aerial Theatre, La Navet Bête, Southpaw Dance Company and High Street Odyssey.
On Sunday, High Street Odyssey, Straw Dog, White Suit and Extravaganza returned, while Talkaoke was shifted to prime position in front of the Hippodrome theatre.
In place of the Rugby Player Duo, Rannel‘s Stereomen pumped up the volume, encouraging party-loving passers-by to dance along with them.
Taking over from Ida Barr, Circus Mash set up early in Arcadian, showing off some amazing circus skills and calling on audience members to participate in workshops in Float, with a great response from lots of enthusiastic kids and parents. At 2.30 and 5.30, Company Chameleon‘s Push examined the complexities of human interaction and power balances.
At the end of the night, audiences were invited to grab themselves some gourmet hot dogs and dance to tunes chosen by Summer in Southside’s guest DJs, The Smoking Dogs, before settling down to watch Southpaw Dance Company‘s Faust. A lively reimagining of the harrowing tale of a man who sells his soul to the Devil, Faust saw the story’s arrogant scholar transported to 1920s Speakeasy, with drinking, gambling and illegitimate boxing all set to cool big band music. Members of the company moved fluidly and faultlessly across a blazing stage, performing complex stunts and energetic dance fusions all with apparent effortlessness.
Finally Arcadian’s Le Truc played host to a late-night festival wrap party where the Summer in Southside team finally got to relax, enjoying a well-earned rest accompanied by more music. It was fun enough to make some of us miss the last train home….