Summer in Southside, Closing Weekend: Bank Holiday Jamboree

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A jamboree jam-packed with a huge range of amazing live acts, the closing weekend of this year’s Summer in Southside finished off the festival in spectacular style, with singing, dancing, clowning, acrobatics and a truly explosive finale!

The events kicked off on Saturday with Ida Barr’s Mash-Up, a hilariously bizarre blend of music hall, R&B and pantomime drag led by acclaimed theatre creative Christopher Green, while Inspector Sands‘ audio tour High Street Odyssey roamed Hurst Street and Arcadian, delving into the past, present and future of Southside with some surprising consequences.

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At 1.30, Wired Aerial Theatre presented a series of spectacular feats in Straw Dog, with two performers portraying internal conflict through a breathtaking physical struggle, inspired by a Native American saying. At the same time, Candoco Dance Company explored the themes of frustration and disappointment through two duets – Studies for C and Two for C – telling the story of a slowly stagnating relationship. Meanwhile, in Push, Tangled Feet offered a playful and touching take on the trials and tribulations of motherhood, perfectly capturing both the sheer joy and utter anguish of bearing and raising children.

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Showcasing circus skills and traditional clowning, Le Navet Bête‘s Extravaganza was a fun, family-friendly farce taking over Arcadian in between appearances by Ida Barr. In sharp contrast, the Helen Chadwick Song Theatre‘s poignant White Suit used music to tell the story of an aspiring footballer who becomes a landmine victim, highlighting people’s willingness to ignore the suffering of others rather than risk the consequences that helping out might have on their own lives.

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Throughout the day, popular arias were presented in a series of pop-up shows by Oyster Opera, while Icarus‘s beefy Rugby Player Duo wandered through the crowds on stilts, chatting to visitors, actors and volunteers alike.

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And of course, beneath the Arcadian Umbrella, the Hippodrome Plus Youth Ambassadors were on hand to chat about the shows at the Talkaoke table, hosting a series of interesting discussions with creatives and performers from Wired Aerial Theatre, La Navet Bête, Southpaw Dance Company and High Street Odyssey.

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On Sunday, High Street Odyssey, Straw Dog, White Suit and Extravaganza returned, while Talkaoke was shifted to prime position in front of the Hippodrome theatre.

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Taking over from Ida Barr, Circus Mash set up early in Arcadian, showing off some amazing circus skills and calling on audience members to participate in workshops in Float, with a great response from lots of enthusiastic kids and parents. At 2.30 and 5.30, Company Chameleon‘s Push examined the complexities of human interaction and power balances.

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At the end of the night, audiences were invited to grab themselves some gourmet hot dogs and dance to tunes chosen by Summer in Southside’s guest DJs, The Smoking Dogs, before settling down to watch Southpaw Dance Company‘s Faust. A lively reimagining of the harrowing tale of a man who sells his soul to the Devil, Faust saw the story’s arrogant scholar transported to 1920s Speakeasy, with drinking, gambling and illegitimate boxing all set to cool big band music. Members of the company moved fluidly and faultlessly across a blazing stage, performing complex stunts and energetic dance fusions all with apparent effortlessness.

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DSCF2034Finally Arcadian’s Le Truc played host to a late-night festival wrap party where the Summer in Southside team finally got to relax, enjoying a well-earned rest accompanied by more music. It was fun enough to make some of us miss the last train home….

If you attended any of the shows, please let @brumhippodrome know what you thought on Twitter using the hashtag #BHOutdoors.

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Summer in Southside, Day 2: Euro Stars

 

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After a successful launch with Live and Local last Saturday, Summer in Southside 2014 got well underway this weekend. On Saturday 16th August, Euro Stars showcased some amazing live acts from across Britain and Europe.

From 1pm, The Museum of Everyday Life took over Hurst Street, offering passers-by the opportunity to “transform [them]selves into a work of art” as part of an interactive photography exhibition, designed to “make the ordinary extraordinary”. Meanwhile in Arcadian, the Hippodrome Plus Youth Ambassadors busily prepared for Talkaoke and Tea, ready to engage audiences in interesting conversations about the shows they’d seen or hoped to see throughout the day. Discussion kicked off with a family-friendly chat about birthday parties, in advance of Wet Picnic‘s “funny” yet “sad” show The Birthday Party, scheduled to start up nearby at 2pm.

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At 1.30, the first performances of the day began. Outside the Hippodrome theatre, Acrojou wowed audiences with their poignant, physical exploration of our unhealthy obsession with productivity in Frantic. The show scrutinized our determination to give up all our time and energy to jobs and other less important aspects of our lives that all too often leave us unfulfilled – a topic which would later emerge in conversation around the Talkaoke table. At the same time, in Arcadian, a trio of three acrobats showed off their skills in Mattress Circus‘s comic Heights, a fun, lighthearted performance that proved a favourite with family audiences.

 

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At 2, slapstick clowning gave way to moments of dark humour and brutal honesty in The Birthday Party, while in Inge Street, the De Fakto Company from France presented dance spectacular Le Petit Bal 2 Rue, blending inspiration from French films of the 50s and 60s with contemporary dance and hip hop to tell the story of two performers at a very important audition.

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Described as a “funny and funky” sound experiment, Radio Patio was performed by Spanish artist Pere Faura at the Hippodrome Dock at 2.30, combining movement with radio noise to create an entirely unique experience. From the Netherlands, Gijs Van Bon‘s sand-writing robot Skryf roamed the streets, leaving behind a long trail of words soon blown away by the breeze. At Summer in Southside, Skryf’s ephemeral tracks were made up of poetry written by Hippodrome Plus youth ambassadors Sipho Dube and Cassandra Wiggan.

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Following this, in Inge Street, Haywood Hix‘s comedy play Works told the tale of two would-be inventors, mixing ramshackle engineering with a dry sense of humour. Finally, a partially improvised version of Les GoulusThe Horsemen popped up late in the day, after an unfortunate loss of baggage at Paris airport! Three aspiring Olympic equestrians were spotted riding through the streets on broomsticks as part of their…er…training. Let’s hope they eventually retrieved their missing horses!

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As the day came to a close, Southside was once again invaded by strange, alien creatures – very different to last week’s curious tourists The Roswells. Close Act Theatre‘s eerie, one-eyed iPuppets seemed to float around above the crowds, peering into faces and investigating the performance spaces. There may be know way of knowing for sure what these serenely silent robots ultimately made of Birmingham, but we’re confident the festival will have made a good impression!

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Summer in Southside continues next weekend with the Bank Holiday Jamboree, featuring a diverse array of shows taking place across Saturday and Sunday. Visitors will be able to experience Southpaw Dance Company‘s amazing Faust, as well as take part in our late-night wrap party, so make sure you don’t miss it! For more information, visit the Birmingham Hippodrome website, or check out the Summer in Southside tumblr.

Summer in Southside, Day 1: Live and Local

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The summer holidays are here at last, and what better way to spend the warm, sunny days (well, mostly…) than enjoying three weekends packed full of free theatre, music and dance? This Saturday (9th August), marked the first day of Summer in Southside 2014, an exciting outdoor performance festival put together by Hippodrome Plus and taking place in streets, squares and pubs around the Birmingham Hippodrome Theatre.

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After the success of Summer in Southside 2013, the festival has this year been expanded from just two weekends to include a much broader range of performances. On Saturday, “Live and Local” kicked off at 1pm with A Haka Day Out in Arcadian and Talking Birds’ Cricketers in the Hippodrome Square. Cricketers is a short, interactive comedy show that sees viewers roped into an amateur game of cricket with some hilarious consequences, while A Haka Day Out allows audiences to learn the traditional Haka war dance in workshops with Maori (New Zealand native) performers. Related arts and crafts activities such as tribal face and body painting also took place alongside the show.

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Next up were 2Faced Dance Company’s Two Old Men, an extraordinary, acrobatic, dance fusion performance telling the story of two old friends over a little journey ending at the local pub, as well as Tin Box Theatre’s Pint Dreams, a blend of folk music, puppetry and traditional storytelling taking place at The Old Fox pub. Following these, Corey Baker’s light-hearted Headphones emerged in Hurst Street, showcasing a plethora of dance styles and musical genres, and at 3pm, Arcadia played host to an hour of hip hop and break-dancing by a series of talented local acts.

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Throughout the day, performances were repeated to ensure plenty of opportunities to catch each show. Every 10-15 minutes, Highly Sprung’s beautiful fairy tale Travelling Treasury was told inside a caravan in Inge Street that had been gorgeously decorated to give audiences the sense that they were walking into the pages of a book. Also by Highly Sprung, alien family The Roswells wandered around the Southside area, taking photos, having a picnic and enjoying their summer holiday on Earth. Meanwhile, Pod Projects and Eye Candy Festival presented an assortment of wares by regional artists, illustrators and designers at the Bicycle Basket Bazaar – a “kind of art fair meets car boot sale”.

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Those who wanted to share their thoughts on the performances – or anything else on their mind – were invited to come and chat to Hippodrome Plus Ambassadors over a cup of iced tea at the Talkaoke table situated in Hurst Street. Talkaoke is a relaxed, pop-up chat show that enables participants to lead a discussion on a topic of their choice. Set to reappear on every day of the festival, Talkaoke will be situated in Arcadian next Saturday.

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As the daytime performances wrapped up and the evening began, budding DJs were invited to bring along their own records and show off their skills in Come Vinyl With Me while enjoying a drink in Arcadian, before moving on to the Hippodrome Dock for a trippy clubbing experience inside a giant white balloon called The Pod.

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If you missed Summer in Southside this weekend, or if you enjoyed the shows, make sure you come along next Saturday (16th August), for “Euro Stars”, where you’ll be able to catch some amazing international acts, ranging from Acrojou’s spectacular Frantic to Gijs van Bon’s sand-writing robot, Skryf. Don’t forget to let us know what you thought on Twitter (@brumhippodrome) using the hashtag #bhoutdoors. For more information on the festival, visit the Birmingham Hippodrome website, or check out the Summer in Southside tumblr.

Talkaoke photos by Matthew Kong.

Summer in Southside – 24-25 August

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14Almost as soon as I headed out of New Street station towards the Hippodrome and the Southside area, I could feel rhythm pulsing through the streets. As I approached, music filled the air, laden with enough sunshine of its own to chase away the faintly autumnal chills that crept into this Saturday.

This was the second part of Summer in Southside, a double weekend of free live performance around the Birmingham Hippodrome, and the source of the sound was the African music accompanying the acrobatic displays of the Black Eagles dance group.

Immediately afterwards, the crowd shuffled into Inge Street, where a fairytale forest of leaves, poles and cling film was waiting to provide the backdrop for The Red Shoes, a magical fairy-tale performance by Upswing . Beautiful, atmospheric and thoroughly entertaining, this show perfectly captured the spirit of traditional tale-telling, carefully blending humour with the threat of hidden dangers. I’ve never enjoyed a dance performance so much: I loved that the movement and skill were clearly used to serve the story and setting, rather than the other way around.

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Next up were some spectacular circus skills by NoFit State Circus, including trampolining, dancing on roller skates and a record attempt at the largest number of people hula hooping on the streets of Birmingham. The display culminated in spectacular, rope-based acrobatics from a performer who seemed almost to swim through the air as if it were water, and was accompanied throughout by a brilliant live band who promised to make a song out of whatever their audience requested.

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A sign spinning showcase followed featuring Hollywood-based performers Max Durovic and Justin Brown, star of the Daft Signz video (below). Sign spinning is a strange mix of advertising and dance, with large signs incorporated into urban dance moves. Like the NoFit State’s Open House, this performance was particularly good at involving its audience, with the performers encouraging enthusiastic children to get involved.

A little tired and thirsty by this point, I headed for the sweet shop on the corner to grab myself a drink, but before I could reach the counter, a street band dressed in Sergeant Pepper-style outfits appeared outside the door. As they struck up the opening notes of Massive Attack’s “Teardrop”, and began to make their way down Hurst Street, I realised I’d have to put down the Dandelion & Burdock and come back for it later. The band was Mr Wilson’s Second Liners, a New Orleans-style six-piece playing 90s pop classics. Walking with the band, a group of people travelled towards Arcadian, serenaded with a bizarre version of Black Box’s “Ride on Time”. After this, we were treated to unique renditions of songs by Orbital, Happy Mondays, Michael Jackson and Daft Punk, with Joy Division’s “Love Will Tear Us Apart” as the finale. Without a doubt, listening to them was my favourite part of the weekend. Click here to hear some of their music on Soundcloud.

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Just a couple of shows were left to see: Graeae Theatre’s Iron Man and Captive by Motionhouse. The former was a fun, family friendly show that saw Ted Hughes’ Iron Giant brought to life to fight against the terrible Space Bat. The puppetry was incredible, and the show also taught its audience some sign language, offering positive representation through performers with a range of disabilities.

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The final show was an acrobatic dance piece in which four characters become trapped together in a cage. It explored the relationships between its characters and how these were affected by being forced together in a confined space, finally ending with the possibility of escape and freedom.

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Summer in Southside was a fantastic opportunity to experience a range of different kinds of performance. It was great to see so many people not only watching but interacting with shows, especially children and families.

If you missed Summer in Southside, or if you were there and enjoyed the weekend, you can catch more free outdoor theatre in a couple of weeks’ time at Birmingham’s Four Squares Weekender event. The Four Squares Weekender will take place across a range of Birmingham venues from Friday 6th to  Sunday 8th September to celebrate the opening of the Library of Birmingham. It will feature performances by the CBSO, NoFit State Circus and the Birmingham Royal Ballet, along with a range of street theatre, dance, live music, exhibitions and plenty of opportunities to get involved. Click here for more information.