Out There Festival, Great Yarmouth – Hippodrome Youth Ambassadors Trip

DSCF2774

The second arts festival trip of the scheme saw the Hippodrome Plus Youth Ambassadors head out to Great Yarmouth for a performance-packed weekend at Sea Change Arts’ Out There Festival. Considerably bigger than Birmingham’s own Summer in Southside, Out There is a huge, international festival of street art with a focus on circus, that brings together some of the best new work from across Europe while providing a platform for emerging artists to try out in-development projects in front of live audiences.

DSCF2778

Arriving late on Friday evening, the first show we caught was Hallali by Compagnie Les Philébulistes. Set against an atmospheric, misty seaside backdrop, the piece showcased some amazing skills and set pieces, but seemed to end a little unexpectedly, without any obvious build-up or climax.

Saturday morning gave us the chance to meet up with some other outdoor arts ambassadors from across the country and learn about the things they’ve been working on. It was great to hear from them and have chance to share ideas: though still in its early stages, the ambassadors scheme seems a lot bigger and more comprehensive than we were previously aware, and so hopefully has the potential to become something really exciting.

DSCF2791

After this, we headed out to St. George’s Park, where 15ft6 presented their explosive show Dynamite and Poetry, a riveting, energetic blend of acrobatics, poetry and physical and spoken comedy that made for one of the weekend’s most fun, engaging and accessible performances.

DSCF2829

DSCF2854

DSCF2868

DSCF2843

At 12.30, we moved on to experience the brilliantly bonkers Looking for Paradise, a two-part journey that encourages participants to unlock their own inner Paradise by travelling down either the path of Belief or the path of Desire. Part I: The Walk, began with Hawaiian lays and an audio introduction, followed by the discovery of some cryptic and weirdly distributed instructions that led us through the streets of Great Yarmouth. There we encountered a series of strange and unexpected street performances, before finally being led into a room to take part in a sort of meditation which happened to involve fruit yoghurt. We were then released into Part II: The Garden where a few of us were invited to paint our own pictures of Paradise and to enjoy some specially made snacks and drinks. Less a traditional show than an immersive, multi-sensory experience, this piece was one of the weekend’s major highlights (though one I’m reluctant to give away too much about!), giving “audiences” a chance to step outside their busy schedules and indulge in a few brief moments of bliss.

DSCF2884

DSCF2912

DSCF2917

DSCF2924

Throughout the day, comedy troupe The Galloping Cuckoos took on the personae of wandering fisherwomen, hauling a fishing hut through St. George’s Park and sharing songs and stories with passers-by as part of their aptly named, roving show Driftwood.

DSCF2875

At 2.45, Dot Comedy staged Lost on Earth, the strange story of a runaway alien, stranded on Earth in a stolen spaceship. It was well received by an audience of enthusiastic kids and families. Meanwhile, in Wires, Dizzy O’Dare skilfully explored themes of friendship, bullying, sisterhood and childhood, transforming their tight wire set into a school playground rich in nostalgic memories and familiar images of growing up. While not as slick and polished as it might be, this work-in-development was full of great ideas with the potential to grow into something much more sophisticated.

DSCF2951

DSCF2958

DSCF2967

At 3.15, Les P’tits Bras performed their circus spectacular The Scent of Sawdust, a show featuring a stunning set and some amazing costumes. Though full of impressive stunts, this show did take a little too long to get off the ground, with an over-lengthy introduction and set-up describing each of its characters’ personalities.

DSCF2969

DSCF2975

At 4.15, I was finally able to catch Wired Aerial Theatre‘s Straw Dog, a show raved about at this year’s Summer in Southside that I unfortunately missed at the time. This elegant, graceful piece conveyed a simple yet powerful conceit about inner conflict through beautiful, well-paced choreography. At just 15 minutes long, it flew by, making it easy for audiences to follow and enjoy.

DSCF2997

DSCF2999

DSCF3019

DSCF3022

Immediately afterwards, Lost in Translation Circus commenced their hilarious Cirque Bordello, with larger-than-life characters and a B&B setting that made use of an actual local house as part of its set. At Mint Fest, we’d heard this idea being pitched, and so were excited to see the show in action. This innovative and entertaining piece is still in development, but was easily as polished and perfected as many of the bigger shows on the programme. Sadly, I wasn’t able to stay until the end, but would love the chance to see the rest at some point.

DSCF3033

DSCF3035

DSCF3045

The festival’s next big highlight came with Artonik‘s The Colour of Time, beginning with a bold, sensual street performance and parade that gave way to a Holi Festival-inspired explosion of colour. Viewers and passers-by were invited to join the actors in literally painting the town red (and orange, yellow, pink, blue and green) using packets of powdered colour distributed by designated helpers. The result was a glorious, magnificent mess that offered an opportunity to set free your inner child and delight in something silly.

DSCF3046

DSCF3049

After washing away as much of the paint as we could manage, we rounded off the evening with Salon Clair de Lune, a long night of cabaret and dancing at STARS Showbar. Hosted by comedy trio Richard Garaghty, Goronwy Thom and Jon Hicks from Slightly Fat Features, the cabaret was an eclectic mix of snippets presented by the various performers present at the festival, giving attendees a chance to get a brief glimpse of things they might have missed throughout the day. Highlights included a surprisingly philosophical wheelie bin-bound comedy routine and a couple of English songs translated into French by Compagnie Kitschnette, including a version of Radiohead’s “Creep” that involved pancakes (I’ll leave you to work out the gag there). This short showcase was followed by some rousing live music from the dynamic Juke and the All Drunk Orchestra. Drinks, dancing and DJing then went on until 4am!

DSCF3067

On Sunday, GlassHouse‘s beautiful You, Me and Everybody Else took to a tucked-away location on the seaside pier, where passers-by little expected to find themselves becoming an audience to a pop-up performance. Tender and touching, this three-part show took viewers on a journey through relationships in different stages, beginning with a young couple in the throes of love. A middle-aged pair clearly undergoing difficulties then stepped in, expressing the difficulties of staying together when things start to get tough. Finally, a couple of elderly picnickers shared lunch on a bench, before breaking into song and dance routines. In a truly heart-wrenching sequence, one finally slips away, making for the most moving moment of the festival.

DSCF3073

DSCF3077

DSCF3087

DSCF3103

DSCF3114

DSCF3125

DSCF3145

DSCF3160

DSCF3166

DSCF3183

DSCF3201

Changing the tone completely, Garaghty and Thom delighted audiences in the park with a quickfire comedy show interspersed with some impressive juggling and tricks. Rather than simply following a rehearsed script, the talented double act reacted to things around them, creating comedy almost exclusively out of what their audience presented them with.

DSCF3219

DSCF3234

DSCF3235

DSCF3242

Finally, acclaimed dance group Motionhouse depicted a family’s efforts to stay afloat as their house sank below rising flood waters in Cascade. Played out against a fantastic, visually striking set, this fast-paced show told a clear, easy-to-follow story that could work well in a range of locations, despite being particularly well-placed in a seaside town!

DSCF3248

DSCF3272

DSCF3283

DSCF3290

At this point, it was time to head home and sleep it all off, with another 5 hour journey still ahead of us. For all that, it was certainly a trip well worth making!

IMG_20140921_171946

Advertisements

Kendal Mint Fest – Hippodrome Plus Youth Ambassadors Trip

DSCF2043

After yet another successful Summer in Southside, things have begun to wind down at the Birmingham Hippodrome before the Autumn-Winter season kicks off next week with CATS. But for the Hippodrome Plus team, there’s no rest yet, since planning for next year’s festival has already begun!

On Saturday 30th August, four of the Hippodrome Youth Ambassadors, along with Hippodrome Plus Creative Programmes Administrator Zara Harris, travelled up to Cumbria to catch some shows at the Lakes Alive Kendal Mint Fest. Fun and games ensued, but with a purpose: our mission, which we chose to accept, was to scout for talent and exciting show concepts to bring to Summer in Southside 2015.

DSCF2093

First things first, we headed over to the Westmorland shopping centre for a taste of the strangest meal you’ve never seen. Ola Szostak and Willemijn Schellekens’s Table of Thoughts was a strange and startling audio-visual installation, inviting participants to listen in to the private thoughts of a group of dinner party guests. One pair of headphones for each empty chair was fixed to a long dining table, upon which food and crockery had been transformed into unnerving manifestations of the themes and images explored in the recordings. What each listener heard ranged from the childlike to the raunchy, and worked best with a full table, when no one could tell what anyone else was hearing. Participants thus became a part of the “show”, embodying the party guests as they observed each others’ reactions. Sadly, this didn’t happen nearly often enough, since the piece was tucked away in a disused shop that was quite difficult to find if you didn’t already know your way around the town.

DSCF2051

DSCF2067

Out on the streets, meanwhile, Peut-Etre Theatre and Dante or Die adapted the surreal writings of Russian author Daniil Kharms with music and madness in their colourful, kid-friendly show Clunk. Aimed primarily at under-5s, it did a great job of engaging the little ones, who were all really excited and made to feel part of the performance. It was a pretty big hit with the grown-ups, too, mind!

DSCF2102

DSCF2106

DSCF2123

In perhaps the most powerful and moving show of the weekend, surrealist comedy duo Desperate Men explored the absurdity of war and its impact on art, culture and society in Slapstick and Slaughter. Ideas and images crashed and collided with an exuberant, anarchic playfulness half-masking its dark and disturbing themes, as when the classic trust-building exercise of falling backwards onto a partner evolved into a vision of a soldier carrying a dead comrade, a set-up at once funny and desperately sad.

DSCF2190

DSCF2221

DSCF2217

DSCF2230

Roaming the streets amid fixed productions were a series of mobile shows, including Encore’s Sheep, a frolicking flock led around by a singing shepherdess and her faithful sheepdog, and Talking Birds’ The Q, a group of orange-clad representatives from “The Q Corporation” attempting to restore order to the town by awarding prizes to quality queuers and offering Extreme Queuing demonstrations.

DSCF2232

DSCF2241

Outside the library, audiences were transported from the old English streets of Kendal to the vibrant, colourful carnivals of Brazil and New Orleans through the lively music of BLAST! Furness, a huge, 20-piece community band whose diverse players were kitted out in crazy hats and striking, red and black attire. Their sound was irresistible – by the end of the performance, even the band themselves were dancing down the road!

DSCF2249

DSCF2267

DSCF2259

As day wore on into dusk, the amazing Les Krilati performed spectacular feats in their circus cabaret extravaganza, Little Pleasures. Seeking “to snub contemporary society”, the show was set up outside The Factory, Kendal’s newest arts venue, and saw performers climb up into the clouds on ropes, poles and swings, seeming to search for escape and freedom in the sky above them. Gleefully childish and simple yet with a cheeky grown-up edge, this show enthralled and astonished audiences of all ages.

DSCF2319

DSCF2373

DSCF2382

DSCF2391

DSCF2430

DSCF2521

One of the few productions to follow a clear narrative, Ramshackalicious’s Grime told the story of a dysfunctional family in the unusual setting of a mobile burger bar. Described as “a modern soap opera that aims to push the boundaries of possibility”, the show seemed to take as its theme our taste for the macabre, both in the modern world and throughout entertainment history. Its initially gritty vibe quickly gave way to slapstick comedy and exaggerated goriness, the abusive patriarch morphing into an overblown monster of Penny Dreadful proportions. Grime repeatedly subverts its audience’s expectations, mixing elements of Mr Punch and Sweeney Todd with realistic menace. Both frightening and funny, it’s a fascinating acknowledgement of how violence has always been bound up in the history of British theatre and culture.

IMG_20140830_201255

IMG_20140830_203250

IMG_20140830_203741

From one violent feast to another, Tetes de Mules’ Parasite Circus saw viewers mercilessly showered with the blood of its “artists”, a series of puppets torn and exploded into pieces before their very eyes. A pair of grim, grimey hosts presented a miniature, mobile circus from their battered caravan, with a strong man, a dancer and an acrobat all brought before the audience and promptly murdered for its entertainment. Parasite Circus is a hilarious splatter-fest with a little of Grime’s influences combined with a few more from the films: from Hammer Horror’s theatricality to the outlandish blood baths of Tarantino movies. Though it took place after hours, squeals of delight were soon ringing out from kids and adults alike – after all, there’s nothing for bringing the family together like a bit of comedy slaughter!

IMG_20140830_212937

IMG_20140830_213552

IMG_20140830_214211

IMG_20140830_214946

To end the evening, Gentleman Juggler Mat Ricardo took over the Brewery Arts Centre’s Mint Room for a cabaret night packed with danger, dexterity and dapper elegance. Having sold out shows at the Edinburgh Fringe and in London’s West End, Ricardo wowed the Kendal audience with a spectacular array of tricks and stunts, juggling everything from hats to bowling balls, poker cues to electric knives.

The following day, after listening to a series of exciting-sounding pitches in Town Hall, we headed over to the Brewery’s Mint Garden to relax to the cool, uplifting sounds of Polly and the Billet Doux, an energetic four-piece blending elements of soul, pop, folk and blues styles.

DSCF2531

DSCF2560

DSCF2570

DSCF2565

Even with just a few of these acts, it looks like there’ll be plenty to look forward to at next year’s Summer in Southside! Hope to see you there!

DSCF2046

Hippodrome Volunteering Opportunities – Minimum Monument & Summer in Southside

Minimum Monument

As part of its education and outreach programme, Hippodrome Plus, the Birmingham Hippodrome is offering two exciting volunteering opportunities over the summer, perfect for those with a passion for the creative arts or looking to add to their CV.

First off, from Thursday 17th July until Friday 2nd August, award-winning Brazilian artist Néle Azevedo will be working on a new public art project, Minimum Monument, in Birmingham’s city centre. Designed to commemorate the First World War 100 years on from the event, Minimum Monument will be a striking display of 5000 figures sculpted from ice, celebrating the common man and the bravery of ordinary people – not only soldiers, but also their families and all those who suffered and made sacrifices during the war.

Minimum Monument 2The finished piece will be presented to viewers in Centenary Square on 2nd August, but in order to turn the idea into a reality, Azevedo requires a dedicated team of 20 volunteers to help create the sculptures and to work alongside the exhibition production team. Volunteers will not be required to work every day, but will need to be able to commit to a minimum of 5 shifts between 17th July and the exhibition opening, and must be aged 18 or over. Those interested should fill out the online application form, or contact zaraharris@birminghamhippodrome.com for more information.

Summer in Southside

Following the exhibition, the theatre’s annual outdoor performance festival, Summer in Southside, will be making a return in three weekends packed full of short plays, dance, circus skills, live music and more. Thanks to the success of last year’s event, Summer in Southside has this year expanded from covering just two weekends, and as such, the theatre will need all hands on deck to ensure everything runs smoothly.

There are a range of roles available for enthusiastic volunteers to try out, including event promotion, stewarding and assisting artists and performers directly. In addition, all volunteers will also receive World Class Service training in Outdoor Arts and a certification of their volunteering hours. Those interested should fill out the online  application form or visit the Birmingham Hippodrome website for more information. All volunteers must be aged 18 or over.

Summer in Southside: Free Outdoor Performances This August

Image

Following its successful Six Summer Saturdays outdoor event programme, the Birmingham Hippodrome will this year be presenting Summer in Southside, two weekends of outdoor performance and entertainment in Birmingham’s Southside area.

Amongst a range of other things, the programme will include dance, physical theatre, puppetry, storytelling and circus acts, all taking place on Saturday 3rd August and Saturday 24th-Sunday 25th August – and all entirely free!

Said Paul Kaynes, Director of Creative Programmes at Birmingham Hippodrome,

“For the last three summers we have brought unusual outdoor performances across the city enjoyed by thousands of people. This year we are delighted to be producing two big weekends of free performances especially for visitors to Southside. Whether shopping, eating or theatre going people will not be able to miss some of the best outdoor theatre in the country.”

The artists taking over the city’s Hippodrome Square, Arcadian, Inge Street and Hurst Street will range from the local to the international, with performers from Warwickshire and across the UK, and further afield from Trinidad, Switzerland and Tanzania.

Full listings are shown below.

Saturday 3 Aug 12 noon – 7pm

NOCTURNE – Marc Brew Company

An intimate bedtime story about restless nights, draws viewers into the home lives of four exquisite dancers as they share their hidden dreams.

Image

FALLING UP – Mimbre

Bodies fly, fall, stack up and carry each other in this spectacular physical show featuring four strong women who refuse to conform to stereotypes.

CON TATTO – Da Motus

Follow eight Swiss dancers through the streets of Southside as they create dynamic shapes and interact with the architecture, weaving together elements of their surroundings to create an extraordinary display.

Image

DON’T DRINK AND DANCE – Joli Vyann

Girl meets boy. A playful, witty cocktail of dance and energetic acrobatics set in a bar.

CHUTNEY – Kuljit Bhamra

Get in the carnival spirit with this strolling street band from Trinidad’s Indian community. A spicy mix of guitars, horns and percussion, their music brings together influences from Asia and the Caribbean.

Image

 

TROLLEYS – C-12 Dance Theatre

Part street dance, part ballet, part supermarket sweep, this is a high-energy, acrobatic performance on wheels.

H2H – Joli Vyann

A dance performance about how we express ourselves and what our hands say about us. Hands hold on and keep us from falling. But what happens when we let go?

Image

Saturday 24 – Sunday 25 August 12 noon – 7pm – August Bank Holiday

Two days of outstanding live events in areas surrounding the Hippodrome, including astonishing stunts, dance, aerial performers, acrobatics and much more. Plus, participatory workshops for all the family to enjoy.

OPEN HOUSE – Nofit State Circus

Back by popular demand, Nofit State Circus explode from their caravans for a series of circus taster workshops, impromptu stunts and professional circus performances. All ages are invited to run away with the circus for a few hours and train alongside Nofit State’s professional performers or simply sit back and watch as the spectacle unfolds.

Image

THE IRON MAN – Graeae

A captivating show that kids and adults adore with puppetry, signing, storytelling and live music based on Ted Hughes’ lovely book. A fully animated 20 ft iron giant tells a compelling story against the backdrop of Southside’s urban skyline. It will be interesting to see if and how this performance will interact with Anthony Gormley’s Iron: Man.

1920’S MAGIC SHANGHAI TEA HOUSE – Rosa Parkin and the Chinese Jitterbug girls

Mixing ancient Chinese magic, the Charleston and a cup of tea, this is a pit stop to remember! 

Image

AMAZING ACROBATICS – The Black Eagles

Originally from Tanzania, East Africa, this dynamic acrobatic trio learnt their skills on the streets of Dar-es-Salaam.

RED SHOES – Upswing

Inspired by grim and glorious fairytales, using dance, Chinese pole and other circus techniques, dancers journey through a forest where strange people live and strange things happen!

Image

CAPTIVE – Motionhouse

Emotional and highly-physical dance and aerial work, inspired by Rainer Maria Rilke’s poem, The Panther. Four dancers are confined within a steel cage, their world is turned upside down as they fight for survival.

THE LION KING ARTS AND CRAFTS WORKSHOPS

A range of family-friendly arts and crafts activities will take place over the weekend, inspired by The Lion King Musical, now showing at Birmingham Hippodrome all summer.

Image