To celebrate the Mariinsky Opera’s upcoming performance of the Ring Cycle at the Birmingham Hippodrome, a series of special events were held over the weekend, each inspired by Richard Wagner’s iconic work. Across Saturday and Sunday, visitors were invited to enjoy a wide range of free and cheap performances around Birmingham’s Southside area.
Saturday’s Ringside programme kicked off at 11am with One of Our Singers is Missing, an interactive show that took the form of a kind of treasure hunt or murder mystery game, suitable for kids and grown-ups of all ages. Every 15 minutes throughout the day, small teams were sent off to search for a purportedly missing Mariinsky Opera singer named Albert. All was not what it first seemed, however: a simple walk round Southside soon turned into an epic adventure, that saw participants encounter a range of otherworldly beings who assisted them in the discovery of an all-powerful ring. A fun, free way to pass a Saturday afternoon with friends and family, One of Our Singers is Missing also offered a great opportunity to get to know Southside and perhaps to visit somewhere new.
At 4pm, dramatist, author, musician and composer Neil Brand discussed the impact of Wagnerian opera on film music through the ages in the theatre’s Patrick Centre. His engaging two-part talk, Film Music and the Ghost of Wagner, explored explored the emotional and psychological effects of soundtracks on audiences, and how styles and dramatic structures first used by Wagner have always played an important part in making the movies what they are. Using examples ranging from early silent films to contemporary superhero blockbusters, Brand offered a fascinating and enlightening insight into the relationship between sound and pictures. In addition to examining the work of some of his favourite film composers, Brand also demonstrated how subtle changes in music can completely alter our perception of a story by playing two different versions of an accompanying score alongside silent footage of a shipwreck.
The talk was immediately followed by a free concert in the theatre foyer, with students and former students of the Birmingham Conservatoire performing the “Siegfried Idyll”, a beautiful melody based on one of Brunnhilde’s songs from Der Ring des Nibelungen, thought to have been composed by Wagner as a sort of love letter to his wife. The Conservatoire played the piece perfectly: it was magnificent to listen to, and a great taster for the Ring Cycle itself, which will be staged from Wednesday through to Sunday this week. The evening then rounded off with cabaret from Kit and McConnel, who performed their opera-inspired comedy show The Fat Lady Sings.
On Sunday afternoon, The Electric Cinema played host to a special screening of Fritz Lang’s Siegfried, widely acknowledged as a masterpiece of the silent era. The film was accompanied by a live piano score from Neil Brand, who played throughout the film (over two hours) with an unflagging energy. The movie itself is a really interesting take on the myth that makes some significant changes to the story, notably that Brunhild is actively scorned by Siegfried rather than him being tricked into forgetting her. It also features an amazingly impressive dragon that actually breathes fire and smoke, which must have been some feat of engineering!
Ringside continues on Saturday 8th November with Brunch with the Brunnhildes: a brunch discussion with sopranos Susan Bullock and Catherine Foster who will discuss their experiences of performing in the Ring Cycle with Front Row‘s Matthew D’Ancona. For more information, click here.
Wagner’s Ring des Nibelungen begins on Wednesday 5th November with Das Rheingold (The Rhinegold), and concludes on Sunday 9th November with Götterdämmerung (Ragnarök). For more information and to book, visit the Birmingham Hippodrome website.
Neil Brand photo by Tom Catchesides.