After a successful launch with Live and Local last Saturday, Summer in Southside 2014 got well underway this weekend. On Saturday 16th August, Euro Stars showcased some amazing live acts from across Britain and Europe.
From 1pm, The Museum of Everyday Life took over Hurst Street, offering passers-by the opportunity to “transform [them]selves into a work of art” as part of an interactive photography exhibition, designed to “make the ordinary extraordinary”. Meanwhile in Arcadian, the Hippodrome Plus Youth Ambassadors busily prepared for Talkaoke and Tea, ready to engage audiences in interesting conversations about the shows they’d seen or hoped to see throughout the day. Discussion kicked off with a family-friendly chat about birthday parties, in advance of Wet Picnic‘s “funny” yet “sad” show The Birthday Party, scheduled to start up nearby at 2pm.
At 1.30, the first performances of the day began. Outside the Hippodrome theatre, Acrojou wowed audiences with their poignant, physical exploration of our unhealthy obsession with productivity in Frantic. The show scrutinized our determination to give up all our time and energy to jobs and other less important aspects of our lives that all too often leave us unfulfilled – a topic which would later emerge in conversation around the Talkaoke table. At the same time, in Arcadian, a trio of three acrobats showed off their skills in Mattress Circus‘s comic Heights, a fun, lighthearted performance that proved a favourite with family audiences.
At 2, slapstick clowning gave way to moments of dark humour and brutal honesty in The Birthday Party, while in Inge Street, the De Fakto Company from France presented dance spectacular Le Petit Bal 2 Rue, blending inspiration from French films of the 50s and 60s with contemporary dance and hip hop to tell the story of two performers at a very important audition.
Described as a “funny and funky” sound experiment, Radio Patio was performed by Spanish artist Pere Faura at the Hippodrome Dock at 2.30, combining movement with radio noise to create an entirely unique experience. From the Netherlands, Gijs Van Bon‘s sand-writing robot Skryf roamed the streets, leaving behind a long trail of words soon blown away by the breeze. At Summer in Southside, Skryf’s ephemeral tracks were made up of poetry written by Hippodrome Plus youth ambassadors Sipho Dube and Cassandra Wiggan.
Following this, in Inge Street, Haywood Hix‘s comedy play Works told the tale of two would-be inventors, mixing ramshackle engineering with a dry sense of humour. Finally, a partially improvised version of Les Goulus‘ The Horsemen popped up late in the day, after an unfortunate loss of baggage at Paris airport! Three aspiring Olympic equestrians were spotted riding through the streets on broomsticks as part of their…er…training. Let’s hope they eventually retrieved their missing horses!
As the day came to a close, Southside was once again invaded by strange, alien creatures – very different to last week’s curious tourists The Roswells. Close Act Theatre‘s eerie, one-eyed iPuppets seemed to float around above the crowds, peering into faces and investigating the performance spaces. There may be know way of knowing for sure what these serenely silent robots ultimately made of Birmingham, but we’re confident the festival will have made a good impression!
Summer in Southside continues next weekend with the Bank Holiday Jamboree, featuring a diverse array of shows taking place across Saturday and Sunday. Visitors will be able to experience Southpaw Dance Company‘s amazing Faust, as well as take part in our late-night wrap party, so make sure you don’t miss it! For more information, visit the Birmingham Hippodrome website, or check out the Summer in Southside tumblr.